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Limited palettes for oil painting: Zorn, earth, split-primary and three-color

Fewer tubes mean cleaner mixes, faster decisions, a painting that holds together and recipes you can actually repeat. Here are the limited palettes painters keep coming back to, what each one can and cannot mix, and the colors from this site that each palette reaches.

The three-color palette

One red, one yellow, one blue, plus white. Usually Cadmium Red (or Permanent Rose), Cadmium Yellow (or Lemon) and Ultramarine. It teaches mixing faster than anything else because every color has to be made. Limits: one primary of each bias means some secondaries will be greyed — choose your three for the subject (Rose + Lemon + Ultramarine for clean violets and greens; Cadmium Red + Cadmium Yellow + Ultramarine for warm, earthy pictures).

The Zorn palette

Yellow Ochre, Cadmium Red (Vermilion originally), Ivory Black and Titanium (or Flake) White. Anders Zorn painted portraits and figures with little else. The black stands in for blue — black + yellow ochre makes an olive green, black + white a cool grey — and the range is warm, muted and perfect for skin. It cannot make a clear blue or a bright green, which is exactly why it works indoors.

The earth palette

Yellow Ochre, Burnt Sienna, Raw Umber, a red earth (Light Red or Venetian), Ultramarine, black and white. Low-chroma, inexpensive, lightfast, and the palette behind most pre-Impressionist painting. Add one bright yellow and one bright red for accents and it will paint almost any subject that is not a flower garden.

The split-primary palette

Six tubes: warm and cool red, yellow and blue, plus white (see color bias). The most flexible limited palette: clean or greyed secondaries on demand, any temperature, any chroma. Add Burnt Sienna and Yellow Ochre and you have the modern standard palette of eight.

A landscape palette

Ultramarine, Cerulean or Phthalo Blue, Lemon Yellow, Cadmium Yellow, Cadmium Red, Alizarin, Yellow Ochre, Burnt Sienna, Titanium White. Two blues and two yellows give every green without a tube green; the two reds and the earths give the warm notes. Viridian or Sap Green is optional.

What a limited palette cannot do

Reach the full chroma of a single-pigment secondary. If a painting needs an electric violet or a neon orange, buy the tube (Dioxazine, Pyrrole Orange, Phthalo Green) and use it for that passage only. Everything else in the picture will look richer by contrast.

Limited palettes and recipes

Every recipe on this site is calculated for a specific box of paints, so the set pages double as limited palettes: the Magicfly 40, Winton and Gamblin 1980 pages list which tubes do most of the work in each range. In the app, “My Tubes” lets you tick exactly the tubes on your table and get recipes restricted to them.

Questions

What is the Zorn palette?

Yellow Ochre, Cadmium Red (originally Vermilion), Ivory Black and white. A four-color palette made famous by Anders Zorn, ideal for portraits; black acts as the blue.

What is the best limited palette for beginners?

A split-primary palette (warm and cool red, yellow and blue plus white) or, even simpler, Cadmium Red, Cadmium Yellow, Ultramarine and white. Both teach mixing without too many choices.

Can you mix every color from three primaries?

Every hue, but not every chroma. Single-pigment secondaries (Dioxazine, Phthalo Green) are brighter than any mix. For most paintings the limit does not matter.
Let the app do the arithmetic
PaintMixLab photographs the color and writes the recipe in parts for the paint set you own. Free for 3 days on iPhone.