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Tinting strength: why the same colour needs a different recipe in every brand

A mixing recipe is only as good as the assumption behind it: that one part of this paint has a predictable effect against one part of that paint. It does not. Tinting strength — how much a paint changes a mixture per unit volume — varies by pigment, by brand and by grade, and it is the single biggest reason mixing charts fail when you change boxes.

What tinting strength is

Add one part of a colour to ten parts of white and look at the result. A strong tinter (Phthalo Blue, Dioxazine Purple, Alizarin) will still read as a clear, saturated tint; a weak tinter (Terre Verte, many hues, most student-grade earths) will barely move the white. Manufacturers hint at it in tint charts, but the difference between brands can be two- to five-fold for the “same” colour name.

Why student and artist grades differ

Student ranges (Winton, Georgian, most budget sets) use less pigment, more filler and more “hue” substitutes. A Winton Cadmium Yellow Hue is weaker than a Gamblin Cadmium Yellow; a budget “Viridian” may actually be a phthalo and therefore stronger than the real thing. Neither is wrong — but it means a 4 : 2 : 1 recipe written for one box is a different colour in another.

What we measured

Calibrating the PaintMixLab engine means painting white ladders (paint + 0, 1, 2, 4, 8, 16 parts white) and pair ladders (two chromatic paints against each other) for every tube in a set, then fitting the engine to the painted swatches rather than to the tube colour. Two findings shaped the recipes on this site:

  • Lightness in the tube does not predict strength. A bright rose can be a weak tinter and a dark green a very strong one. Recipes that assumed otherwise came out dark and green.
  • Painted mixes come out darker than predicted. Consistently enough that the app’s standard engine now adds white to every recipe to land on the predicted value; the original prediction is still available as “Dark Mode”.

That is why every recipe page here lists Winton, Gamblin 1980 and Magicfly separately:

How to work with it at the easel

  1. Put out the weak colour first and add the strong one in dabs.
  2. Learn your own box: one afternoon painting white ladders for each tube tells you more than any chart.
  3. When you change brand, re-mix your standard colours before you trust an old recipe.
  4. Match value with white last, after the hue is right.

Questions

What does tinting strength mean in paint?

How much a paint changes a mixture per part added. Strong tinters (phthalo, dioxazine, quinacridone) dominate mixes; weak tinters (many earths and student hues) need much more volume.

Why is a Winton recipe different from a Gamblin recipe?

Different pigment loads and different pigments behind the same colour names. The same ratio gives a visibly different colour, so recipes must be calibrated per set.

Which oil paints have the strongest tinting strength?

Phthalo Blue and Green, Prussian Blue, Dioxazine Purple, Alizarin and quinacridone reds, and most carbon blacks.
Let the app do the arithmetic
PaintMixLab photographs the colour and writes the recipe in parts for the paint set you own. Free for 3 days on iPhone.